Инсталляция состоит из четырёх столов с одинаковым набором одинаково размещённых предметов. 4 одинаковых беспорядка. Не понятно что там случилось - толи кто-то что-то паял и убежал, толи что-то прочел. Ключа нет. Это фрагмент бесконечной вселенной, в которой, возможно, есть шанс, что летящие детали боинга соберутся в целый самолет. Возможно это ужас, от того что нет уникальности, а возможно некий магический обряд по упорядочиванию хаоса.
The installation for the exhibition In An Absolute Disorder in Barcelona consisted of four tables with the same set of identically misplaced objects. 4 identical messes. It is not clear what happened there. There is no key. This is a fragment of an infinite universe, in which, there is a chance that the parts of the Boeing, falling from the sky, will gather into a whole plane. Maybe this is horror, because there is no uniqueness, and perhaps some kind of magical ritual to organize chaos.
МишМаш
The installation is composed of four tables with an identical selection of identically arranged objects. It ironically poses a question about the relationship between chaos and order.
Order is something that possesses an internal logic. The presence of logic means that it can be reproduced. In a basic sense each table in the installation is in a state of disorder, but the repetition affirms an idea that is important at this exhibition - that the image of chaos can become a basis for aesthetic order. In the MishMash installation, chaos, which bursts through or is triumphant in other works at the show, becomes the norm and in this way is tamed. Entropy has become something habitual - it is something in which we can build ourselves a cosy little nest, reducing chaos to a mere domestic mess. Ironically finding a comfy home in the complicated web of modern life is a common theme in works by MishMash.
Gleb Napreenko
The installation for the exhibition In An Absolute Disorder in Barcelona consisted of four tables with the same set of identically misplaced objects. 4 identical messes. It is not clear what happened there. There is no key. This is a fragment of an infinite universe, in which, there is a chance that the parts of the Boeing, falling from the sky, will gather into a whole plane. Maybe this is horror, because there is no uniqueness, and perhaps some kind of magical ritual to organize chaos.
МишМаш
The installation is composed of four tables with an identical selection of identically arranged objects. It ironically poses a question about the relationship between chaos and order.
Order is something that possesses an internal logic. The presence of logic means that it can be reproduced. In a basic sense each table in the installation is in a state of disorder, but the repetition affirms an idea that is important at this exhibition - that the image of chaos can become a basis for aesthetic order. In the MishMash installation, chaos, which bursts through or is triumphant in other works at the show, becomes the norm and in this way is tamed. Entropy has become something habitual - it is something in which we can build ourselves a cosy little nest, reducing chaos to a mere domestic mess. Ironically finding a comfy home in the complicated web of modern life is a common theme in works by MishMash.
Gleb Napreenko
 |
 |
 |
 |
Инсталляция
реализована на выставке
In An Absolute Disorder
в Arts Santa Monica
Barcelona
Installation
For the exhibition In An Absolute Disorder
rts Santa Monica
Barcelona
2012
реализована на выставке
In An Absolute Disorder
в Arts Santa Monica
Barcelona
Installation
For the exhibition In An Absolute Disorder
rts Santa Monica
Barcelona
2012
ЗАБЫЛ КУДА КЛЮЧИ ПОЛОЖИЛ / I FORGOT WHERE I PUT MY KEYS